Does YouTube have a Nazi Pop problem? How the algorithm promotes the glamorization of Nazism by Quinton Mitchell.

Hitler, the Nazis, the Holocaust, have become, sadly, and oddly, a form of pop culture, and not just any pop culture, but a hyper-real form of culture perpetuated by the omnipotent and fate-sealing power of the “algorithm”. Quinton Mitchell

I call it Nazi Pop.

I understand that history should be taught and preserved. I also understand that having different content creators helps analyze topics form different perspectives. However, I think there should at least be more disclaimers relating to Nazi content or at least some sort more intensive vetting process including but not limited to peer-review for YouTube videos on the subject. Also, creators of such content should have to disclose their public identity rather than hide behind avatars.

A large chuck of the profit percentage should go to charities such as those dedicated to Holocaust education or hate-group watchdog groups.

https://www.adl.org/take-action/ways-to-give

https://www.splcenter.org/hate-map

It seems many content creators have learned that making videos about Nazis is an easy way to get paid, yet many people don’t care about the money but rather they are potential Nazi sympathizers who have adapted to not seeming radical but instead brand themselves as “amateur historians”. For example, the YouTube pages such as the Zoomer Historian and History-at-War.

Sure, not everyone talking about Nazis are bad and the intent is often educational. Yet, even with these good faith actors the need to make money off Nazi content still stands. For example, let us look at lovable and iconic YouTube creator, Simon Whistler.

Simon Whistler is known for having many and I mean many YouTube channels (see article, titled: The Many Channels of YouTuber Simon Whistler by Shelly Lawless from CultureSlate. Link: https://www.cultureslate.com/lists/the-many-channels-of-youtuber-simon-whistler).

When I type in Simon Whistler Nazi on YouTube I see the following videos. Why Did So Many Nazis Choose Argentina to Flee to After WWII? (on Today I Found Out); Why Did So Many Nazis Choose Argentina to Flee to After WWII? (on Into The Shadows); Adolf Hitler – The Rise of a Fanatical Fuhrer (on Biographics); The “Nice” Nazis (on Sideprojects); War and Drugs – WWII Soldiers Go Mad on Meth (on Brain Blaze); Inside the Meeting that Engineered the Holocaust (on Into the Shadows); The Rise and Fall of the Nazi War Machine (on Warographics); The 1936 Olympic Games: Nazi Germany’s Gambit (on Into the Shadows); The “XX System”: How MI5 Made Fools of the Nazis (on Into the Shadows)…and honestly, there is at least 20 plus more.

I must stress that I think Simon Whistler is a legitimate content creator interested in sharing snippets of lost history.

Him aside, we have to be real there are likely Attomwaffen SS sympathizers etc. secretly making ambiguous pro-Nazi videos.

This is what I am saying. Is it education or entertainment? Sure, I have hope that humanity has learned its lessons but…we do live in a world that does seem to be dangerously flirting with a nostalgia for strong-men fascism, largely as a means of curbing the externalities of global capitalism (mass migration, free trade, etc.), which ironically is controlled by those who often fund…fascism.

In other words, the elite capital class are responsible for most of the world’s social ills but while they make profit, they also fund isolationist, nationalist, and often racist regimes because these fascist regimes often side with capitalism, especially as a means of opposing egalitarian ideas such as communism.

Elon Musk is the avatar for everything negative I am stating or insinuating in this post. An alleged “autistic savant”, Sorrow of Young Werner, edge lord, “Sit on my face” (Grandma’s Boy film reference), billionaire capitalist who panders to right wing grifters because they are more so aligned with the economic ideology that enables him to exploit, loot, scam, borrow, fake it till he makes it, and profit, etc.

I call this tendency to make Nazi videos for money on YouTube as being Nazi Pop. Nazi Pop Culture.

There seems to be something going on. There are a lot of “historical analysis” videos dedicated to “studying” (cough – worshipping) the Nazis, especially with a target audience comprised of Millennials, Zoomers, and this odd new “Newsweek”-coined generation called “Generation Alpha”. It is as if there is a bot farm spewing out these Nazi historical analysis videos as a means of subconsciously brainwashing a new crop of unwitting racists, “race realists”, etc., notably in the wake of a world that is unfairly – in my opinion – rallying against “wokeness”, where said “wokeness” is often, but not always, code-word in conservative circles for anything that is not white, straight, male, capitalist, selfish and likely Christian.

“Whiteness” has cleverly positioned itself as an “oppressed” status group, however, the political left often can’t help but to not use “whiteness” as the target to most of its own philosophical juxtapositions.  Adding to this, because of the burdens of globalism, climate change, poverty, and wars, many refugees have fled into the Global North, thus causing race realist nationalism to rise.

The political left – though not wrong in its political and economic analysis of contemporary issues, at least from a pure analysis standpoint, as opposed to real life political experiments – often uses whiteness as the focal and starting point for many of its analytical arguments, and this, therefore, helps create a situation that actual white supremacist can exploit by providing a “safe space” for the often lost, frustrated, guilty, etc. White people who are tasked with analyzing their privilege but then rejecting the guilt associated with it when they feel they are being unfairly singled out, and at worst, disarmed from self-defense from the basic truths of human nature beyond race or color.

In other words, many white people feel they can’t defend themselves while also being blamed for the ills of society, and many people reject these feelings and are often recruited by bad faith actors who want to inculcate them into race realism, racism, Nazism, etc. Yet, the left or liberals can often be dismissive of this sentiment, but being dismissive doesn’t mean it goes away. However, this does not mean we need to coddle or excuse the truths of toxic masculinity, entitlement, the hypocrisies of patriarchy and the male gaze onto the female form, racism, etc.

I am not saying that whiteness, colonialism, capitalism, patriarchy, etc., as is, as they are linked in our contemporary society, are not topics worth studying, however, the folly of let’s say…Marxists analysis…is that it reduces everything to base “non metaphysical” material that is in need of study, analysis, etc. Yet, my argument is that human nature is sure able to be understood, yet most humans are not thinking too deep about social issues besides simply trying to survive in peace. Also, my rebuttal to a full acceptance of applying Marxist analysis is that life is inherently…nonsensical and absurd. The Marxist tries to reduce everything to realist, evolutionary struggle in a sort of godless universe where no objective truths actually exist besides the truths we can analyze based on our evolution as a species, here and only here on Earth, based on understanding the crux of class throughout space and time. Sounds somewhat reasonable.

But why do we make art? Why do we do anything? What’s the point? The point is there is no point but there is a point. Life has purpose and in theory doesn’t. Life is a walking contradiction but because it is, we naturally apply some level of metaphysical justification to our actions. Sure, we can debate about the scope and scale about how we apply metaphysical explanation or justification to sustain our existences, yet, still humans often operate indifferent to being “analytical nerds” where everything is seen as a mindless construction of petty human efforts.

The tin-foil hat in me thinks that our current racial situation is in part manufactured. A sort of dialectical warfare situation where those at the top, typically the capital owners, use race as a means of disguising the institutional power that ironically helps maintain the one percent. The left thinks it is immune to this, but I suspect this is not the case because those at the top, are smarter than given credit for, considering that the left spends so much time in analyzing them. The one percent needs a racially divided proletariat in order to maintain the systems that maintains their power, yet, oddly, when someone says that “things are rigged” notably in matters of race, I notice the political-left itself is often dismissive of this allegation (which I can understand because such as allegation can be used lazily as a means of not deeply analyzing systemic power, however, it is naïve for the left to not admit that pitting the races against each other has always been a key strategy in debasing proletarian and labor-centric power). However, those on the Left don’t want to be dismissive of marginalized groups voices by prioritizing class consciousness over intersectionality, so if anything, it’s on said marginalized groups to accept that such divisive strategies are possible, but it may ironically not be good strategy for historically oppressed groups to acknowledge this considering the status quo can use this as a means of furthering silencing specific causes. Just one of the many seemingly, damned if you, demand if you don’t Catch 22’s we live under.

With the toxic revolt and reaction against diversity and inclusion, I, as black man who grew up largely in predominately white environments (which, I admit were often positive experiences, but yes I have experienced blatant racism), I notice on YouTube that many “content creators” are uploading videos dedicated to studying Nazism.

And, sure, there’s a lot of unpackage there, but I often suspect more sinister intentions. The phenomena are similar to the notion or trop of the “edge lord”.  Instead of seeing what the Nazis did as bad, rather the Nazis are “pornified”. From their Hugo Boss uniforms, their innovations (rockets, synthetic oils, jet engines, the interstate systems, intercontinental ballistic missiles, propaganda, etc.), their national unity, etc., there is something that many people seem to deeply want to emulate. That is the sad thing about these YouTube videos for example. Many but not all seem to be about nostalgia rather than analysis of evil.

We must remember than since 2012 for example, which was the era that kicked off the police brutality riots – often against black people – than many college age people were children. Many have adopted the tenants of social justice to varying degrees, but others see social justice as establishment. This therefore opens the opportunity for actual Neo Nazis, who have innovated into doing video essays online, owning video game Reddit communities, etc., the ability to recruit a new crop of followers or apologists.

At first, the book White Noise by Don DeLillo creeps up in my mind. In that book, the main character, Jack Gladney, is the professor of Nazi Studies at some Midwest college, yet the character of Gladney was used by DeLillo as a means of detailing how even a monster such as Adolph Hitler became a sort of pop culture commodity in a postmodern and post-capitalist world. Even Family Guy by Seth MacFarlane pointed fun at this with his Hitler talk-show in his cartoon.

Even atrocities of wars gone by and the lessons thereof which should humble us as a species, instead become commodities or a means of gaining an income.

DeLillo’s prophetic words in his 1985 National Book Award winning novel (which were not done with justice in the 2023 movie adaptation in my opinion) sort of became reality. Hitler, the Nazis, the Holocaust, have become, sadly, and oddly, a form of pop culture, and not just any pop culture, but a hyper-real form of culture perpetuated by the omnipotent and fate-sealing power of the “algorithm”.

Also see: https://mitchellrg.com/2021/07/14/helping-save-white-men-from-radicalization-progressive-notes/

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